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	<title>Christina Cox Art Blog</title>
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	<link>http://nmcah.org/blog</link>
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		<title>Beautiful Exhibition of Old Masters at the Ringlings Brothers Museum in Saratoga, Florida</title>
		<link>http://nmcah.org/blog/?p=259</link>
		<comments>http://nmcah.org/blog/?p=259#comments</comments>
		<pubDate>Tue, 27 Apr 2010 19:46:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[New Artists]]></category>

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		<description><![CDATA[
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			<content:encoded><![CDATA[<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/04/18RINGLINGSPAN-articleLarge.jpg"><img class="alignnone size-medium wp-image-258" title="18RINGLINGSPAN-articleLarge" src="http://nmcah.org/blog/wp-content/uploads/2010/04/18RINGLINGSPAN-articleLarge-300x186.jpg" alt="" width="300" height="186" /></a></p>
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		<title>Stations of the Cross By Sculptor, Virginia Makosymowicz</title>
		<link>http://nmcah.org/blog/?p=251</link>
		<comments>http://nmcah.org/blog/?p=251#comments</comments>
		<pubDate>Fri, 02 Apr 2010 17:57:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Easter Cycle]]></category>
		<category><![CDATA[New Artists]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=251</guid>
		<description><![CDATA[" Stations of the Cross" One of most beautiful sculptures of the Stations of the Cross is made by Virginia Mayosymowicz of Philadelphia, PA.
On Good Friday we reflect  of the death of Jesus Christ. We pray
God of power and mercy,
in love you sent your Son
that we might be cleansed of sin
and live with you forever.
Bless us as we gather to reflect
on his suffering and death
that we may learn from his example
the way we should go.
We ask this through that same Christ, our Lord.
Amen.


 
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			<content:encoded><![CDATA[<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/04/DSCF0171.jpg"><img class="alignnone size-medium wp-image-252" title="DSCF0171" src="http://nmcah.org/blog/wp-content/uploads/2010/04/DSCF0171-300x244.jpg" alt="" width="300" height="244" /></a><a href="http://nmcah.org/blog/wp-content/uploads/2010/04/DSCF0154.jpg"><img class="alignnone size-medium wp-image-253" title="DSCF0154" src="http://nmcah.org/blog/wp-content/uploads/2010/04/DSCF0154-300x225.jpg" alt="" width="300" height="225" /></a></p>
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		<title>Anthony Van Dyck, Betrayal of Christ</title>
		<link>http://nmcah.org/blog/?p=244</link>
		<comments>http://nmcah.org/blog/?p=244#comments</comments>
		<pubDate>Tue, 23 Feb 2010 21:21:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Exhibitions]]></category>
		<category><![CDATA[Famous Artists]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=244</guid>
		<description><![CDATA[The Anthony Van Dyck, Betrayal of Christ was exhibited in our museum? We had the pleasure of exhibiting the painting for 16 years and thousands of people have seen on display. The museum is closed and we plans to relocate soon. The Van Dyck was on loan to us is not owned by the National [...]]]></description>
			<content:encoded><![CDATA[<p>The Anthony Van Dyck, Betrayal of Christ was exhibited in our museum? We had the pleasure of exhibiting the painting for 16 years and thousands of people have seen on display. The museum is closed and we plans to relocate soon. The Van Dyck was on loan to us is not owned by the National Museum of Catholic Art and History  but by one private collector. As we have cared for and loved this painting the owner has taken it back for a short time until we relocate. We hope to have it back when we can announce our new headquarters. We want to thank this private collector for loaning it to us for such a long time. We plan to update that information shortly.</p>
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		<title>Thank you St Anthony!</title>
		<link>http://nmcah.org/blog/?p=231</link>
		<comments>http://nmcah.org/blog/?p=231#comments</comments>
		<pubDate>Wed, 17 Feb 2010 15:19:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Prayers]]></category>
		<category><![CDATA[Saints]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=231</guid>
		<description><![CDATA[
Saint Anthony of Padua
Holy Saint Anthony, gentle and powerful in your help, your love for God and charity for His creatures, made you worthy, when on earth, to possess miraculous powers. Miracles waited on your word, which you were always ready to request for those in trouble or anxiety. Encouraged by this thought, I implore [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-11.jpeg"></a><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-22.jpeg"><img class="alignnone size-full wp-image-234" title="images-2" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-22.jpeg" alt="" width="84" height="139" /></a><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-61.jpeg"><img class="alignnone size-full wp-image-235" title="images-6" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-61.jpeg" alt="" width="87" height="130" /></a><img class="alignnone size-full wp-image-232" title="images-1" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-11.jpeg" alt="" width="150" height="113" /></p>
<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-11.jpeg"></a><strong>Saint Anthony of Padua</strong></p>
<p><span style="font-family: Verdana; line-height: normal;">Holy Saint Anthony, gentle and powerful in your help, your love for God and charity for His creatures, made you worthy, when on earth, to possess miraculous powers. Miracles waited on your word, which you were always ready to request for those in trouble or anxiety. Encouraged by this thought, I implore you to obtain for me (request). The answer to my prayer may require a miracle. Even so, you are the Saint of miracles. Gentle and loving Saint Anthony, whose heart is ever full of human sympathy, take my petition to the Infant Savior for whom you have such a great love, and the gratitude of my heart will ever be yours. Amen.</span></p>
<p>St Anthony by Salvador Dali painting above on right.</p>
<p>A great website to check out for your prayer to St. Anthony:</p>
<p><a class="alignleft" title="St Anthony prayer site" href="www.stanthony.org" target="_self">www.stanthony.org</a></p>
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		<title>Happy President&#8217;s Day</title>
		<link>http://nmcah.org/blog/?p=221</link>
		<comments>http://nmcah.org/blog/?p=221#comments</comments>
		<pubDate>Mon, 15 Feb 2010 18:40:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[American Catholic History]]></category>
		<category><![CDATA[Catholic History In America]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=221</guid>
		<description><![CDATA[
JOHN F. KENNEDY WAS THE FIRST AND ONLY CATHOLIC PRESIDENT.
President John F. Kennedy talks with Pope Paul VI at the Vatican on July 3, 1962. The meeting was historic, the first Roman Catholic President of the US was seeing the the Pontiff only days after his Papal Coronation .
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			<content:encoded><![CDATA[<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-1.jpeg"></a><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-21.jpeg"><img class="alignnone size-full wp-image-227" title="images-2" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-21.jpeg" alt="" width="123" height="78" /></a><img class="alignnone size-full wp-image-222" title="images-1" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-1.jpeg" alt="" width="90" height="135" /><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-6.jpeg"><img class="alignnone size-full wp-image-223" title="images-6" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-6.jpeg" alt="" width="105" height="129" /></a><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/images-7.jpeg"><img class="alignnone size-full wp-image-225" title="images-7" src="http://nmcah.org/blog/wp-content/uploads/2010/02/images-7.jpeg" alt="" width="104" height="129" /></a></p>
<p><strong>JOHN F. KENNEDY WAS THE FIRST AND ONLY CATHOLIC PRESIDENT.</strong></p>
<p>President John F. Kennedy talks with Pope Paul VI at the Vatican on July 3, 1962. The meeting was historic, the first Roman Catholic President of the US was seeing the the Pontiff only days after his Papal Coronation .</p>
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		<title>St Valentine</title>
		<link>http://nmcah.org/blog/?p=214</link>
		<comments>http://nmcah.org/blog/?p=214#comments</comments>
		<pubDate>Sun, 14 Feb 2010 16:51:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Feasts]]></category>
		<category><![CDATA[New Artists]]></category>
		<category><![CDATA[Saints]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=214</guid>
		<description><![CDATA[
 
There are varying opinions as to the origin of Valentine’s Day. Some experts state that it originated from St. Valentine, a Roman who was martyred for refusing to give up Christianity. He died on February 14, 269 A.D., the same day that had been devoted to love lotteries. Legend also says that St. Valentine left a farewell note [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/st-valentine.jpg"><img class="alignnone size-medium wp-image-215" title="st-valentine" src="http://nmcah.org/blog/wp-content/uploads/2010/02/st-valentine-177x300.jpg" alt="" width="177" height="300" /></a><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/Valentin-Steiermark.jpg"><img class="alignnone size-medium wp-image-216" title="Valentin Steiermark" src="http://nmcah.org/blog/wp-content/uploads/2010/02/Valentin-Steiermark-197x300.jpg" alt="" width="197" height="300" /></a></p>
<p><span style="color: #333333; font-family: Verdana; line-height: normal;"> </span></p>
<p style="text-align: justify;">There are varying opinions as to the origin of <span style="color: #ff0000;"><strong>Valentine’s Day</strong></span>. Some experts state that it originated from <strong>St. Valentine</strong>, a Roman who was martyred for refusing to give up Christianity. He died on <strong>February 14, 269 A.D.</strong>, the same day that had been devoted to love lotteries. Legend also says that St. Valentine left a farewell note for the jailer’s daughter, who had become his friend, and signed it <em><span style="color: #008000;">“From Your Valentine”</span></em>.</p>
<p style="text-align: justify;">Other aspects of the story say that Saint Valentine served as a <strong>priest at the temple</strong> during the reign of <strong>Emperor Claudius</strong>. Claudius then had Valentine jailed for defying him. In 496 A.D. Pope Gelasius set aside February 14 to honour St. Valentine.</p>
<p style="text-align: justify;">Gradually, <strong>February 14</strong> became the date for exchanging love messages and St. Valentine became<strong>the patron saint of lovers.</strong> The date was marked by sending poems and simple gifts such as flowers. There was often a social gathering or a ball.</p>
<h3 style="text-align: justify;"><strong>The History of Valentine’s Day</strong></h3>
<p style="text-align: justify;"><span style="color: #000000;">Valentine’s Day </span>started in the time of the Roman Empire. In ancient Rome, February 14th was a holiday to honour Juno. Juno was the Queen of the Roman Gods and Goddesses. The Romans also knew her as the Goddess of women and marriage. The following day, <strong>February 15th, </strong>began<strong> the Feast of Lupercalia.</strong></p>
<p style="text-align: justify;">The lives of young boys and girls were strictly separate. However, one of the customs of the young people was name drawing. On the eve of the festival of Lupercalia the names of Roman girls were written on slips of paper and placed into jars. Each young man would draw a girl’s name from the jar and would then be partners for the duration of the festival with the girl whom he chose. Sometimes the pairing of the children lasted an entire year, and often, they would fall in love and would later marry.</p>
<p style="text-align: justify;">Under the rule of Emperor Claudius II Rome was involved in many bloody and unpopular campaigns. <strong>Claudius the Cruel </strong>was having a difficult time getting soldiers to join his military leagues. He believed that the reason was that roman men did not want to leave their loves or families. As a result, Claudius cancelled all marriages and engagements in Rome. The good <strong>Saint Valentine was a priest at Rome </strong>in the days of Claudius II. He and <strong>Saint Marius</strong> aided the Christian martyrs and secretly married couples, and for this kind deed Saint Valentine was apprehended and dragged before the Prefect of Rome, who condemned him to be beaten to death with clubs and to have his head cut off. He suffered martyrdom on the 14th day of February, about the year 270.</p>
<p style="text-align: justify;">At that time it was the custom in Rome, a very ancient custom, indeed, to celebrate in the month of February the Lupercalia, feasts in honour of a heathen god. On these occasions, amidst a variety of pagan ceremonies, the names of young women were placed in a box, from which they were drawn by the men as chance directed.</p>
<p style="text-align: justify;">The pastors of the early Christian Church in Rome endeavoured to do away with the pagan element in these feasts by substituting the names of saints for those of maidens. And as the Lupercalia began about the middle of February, the pastors appear to have chosen <strong>Saint Valentine’s Day</strong> for the celebration of this new feast. So it seems that the custom of young men choosing maidens for valentines, or saints as patrons for the coming year, arose in this way.</p>
<h3 style="text-align: center;"><span style="color: #ff0000;"><strong>“Happy Valentine’s Day”</strong></span></h3>
<p style="text-align: justify;"> </p>
<p> </p>
<p><span style="font-family: Arial; line-height: normal;"> </span></p>
<div class="maintext" style="color: #666666; padding: 0px; margin: 0px;"><span style="font-family: Arial; padding: 0px; margin: 0px;"> </p>
<p style="font-size: 12px; color: #666666; margin-top: 0px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding: 0px;"><strong><em>St. Valentine blesses (heals) an epileptic (St. Benedict’s Church, Steiermark, around 1520)</em></strong></p>
<p style="font-size: 12px; color: #666666; margin-top: 0px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding: 0px;"> </p>
<p style="font-size: 12px; color: #666666; margin-top: 0px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding: 0px;">Not infrequently, the colour of the clothing also provides an interesting aspect: it is often red or yellow. Such &#8220;signal colours&#8221; are directed against demons, thus they should protect the pictured person from the demons of the disease or free him from them. Black clothing, which is also encountered fairly often in such portrayals, is a reference to debt, punishment and penance. Thus the sick person has burdened himself with debt and &#8211; according to mediaeval belief &#8211; has been punished with the &#8220;falling disease&#8221; as a penance. If children are shown clothed in black, this indicates that their parents are guilty in some way.</p>
<div style="text-align: justify;"><span><br />
</span></div>
<p> </p>
<p></span></div>
<p><span style="font-family: Arial; padding: 0px; margin: 0px;"> </span></p>
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		<title>ARTIST GEORGIA O&#8217;KEEFFE</title>
		<link>http://nmcah.org/blog/?p=209</link>
		<comments>http://nmcah.org/blog/?p=209#comments</comments>
		<pubDate>Tue, 09 Feb 2010 16:39:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Famous Artists]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=209</guid>
		<description><![CDATA[
Artist Profile
Georgia O&#8217;Keeffe (1887-1986) was an internationally admired modern painter whose extraordinary career spanned seven decades. Born in Sun Prairie, Wisconsin, O&#8217;Keeffe studied at the Chicago Art Institute and the Art Students League in New York, worked briefly as a commercial artist in the Chicago fashion industry, and became a teacher.
A summer course at the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/oKeeffe_Stieglitz-A-Portrait.jpg"><img class="alignnone size-full wp-image-210" title="oKeeffe_Stieglitz-A-Portrait" src="http://nmcah.org/blog/wp-content/uploads/2010/02/oKeeffe_Stieglitz-A-Portrait.jpg" alt="" width="210" height="257" /></a></p>
<p><a href="http://nmcah.org/blog/wp-content/uploads/2010/02/oKeeffe_Stieglitz-A-Portrait.jpg"></a><strong>Artist Profile</strong></p>
<p><span style="font-family: verdana; line-height: normal;">Georgia O&#8217;Keeffe (1887-1986) was an internationally admired modern painter whose extraordinary career spanned seven decades. Born in Sun Prairie, Wisconsin, O&#8217;Keeffe studied at the Chicago Art Institute and the Art Students League in New York, worked briefly as a commercial artist in the Chicago fashion industry, and became a teacher.</p>
<p>A summer course at the University of Virginia in 1912 turned the young teacher in a new direction by exposing her to the innovative ideas of art educator Arthur Wesley Dow. Inspired by Dow&#8217;s theories, O&#8217;Keeffe returned to her original goal of becoming a professional artist. She alternated during the next few years between teaching and periods of formal study and artistic experimentation.</p>
<p>In January 1916, a friend showed O&#8217;Keeffe&#8217;s abstract charcoal drawings to photographer and modern art impresario Alfred Stieglitz. Stieglitz exhibited them in his Manhattan gallery that spring, at a time when O&#8217;Keeffe was once again studying in New York. O&#8217;Keeffe taught in Texas for another two years and then rejoined Stieglitz in New York in June 1918. The two married in 1924.</p>
<p>O&#8217;Keeffe began spending her summers in the American Southwest in 1929, and eventually purchased a home in New Mexico. She moved to New Mexico permanently a few years after Stieglitz died in 1946. Georgia O&#8217;Keeffe continued to travel and paint until her death in 1986 at the age of 98.</p>
<p></span></p>
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		<title>GEORGIA O&#8217;KEEFFE AT THE PHILLIPS COLLECTION IN DC</title>
		<link>http://nmcah.org/blog/?p=207</link>
		<comments>http://nmcah.org/blog/?p=207#comments</comments>
		<pubDate>Tue, 09 Feb 2010 16:36:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Exhibitions]]></category>
		<category><![CDATA[Famous Artists]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=207</guid>
		<description><![CDATA[


Georgia O&#8217;Keeffe: Abstraction 
(February 6-May 9, 2010)
Although painter Georgia O&#8217;Keeffe (1887-1986), a central figure in 20th-century art, is best known for simplified images of recognizable objects, her contributions to American abstraction over the course of her long career were radical. Her approach-in paintings, drawings, and watercolors-was determined in 1915, when she decided that her art would [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: verdana; line-height: normal;"></p>
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<h2 style="font-size: 1.2em; font-weight: bold; clear: both;">Georgia O&#8217;Keeffe: Abstraction <br />
(February 6-May 9, 2010)</h2>
<p>Although painter Georgia O&#8217;Keeffe (1887-1986), a central figure in 20th-century art, is best known for simplified images of recognizable objects, her contributions to American abstraction over the course of her long career were radical. Her approach-in paintings, drawings, and watercolors-was determined in 1915, when she decided that her art would record her feelings, rather than the appearance of things. For the remainder of her career, she looked to art, whether abstract or objective, to express emotions for which words seemed inadequate.In her first abstractions, a series of non-objective charcoal drawings, O&#8217;Keeffe reduced her palette to black and white. She filled her compositions with fluid, curvilinear forms reminiscent of Art Nouveau. In 1916, responding to the elemental landscape of western Texas, O&#8217;Keeffe reintroduced color into her watercolors. By magnifying and tightly cropping her images, a framing device used by photographers, she found the means to express simultaneously the vastness of nature, the immensity of her own response to it, and a powerful sense of being one with it. Two years later, seeking recognition as a painter in the circle of modern art dealer and photographer Alfred Stieglitz, she moved to New York and took up oils again.</p>
<p>Unwelcome critical interpretations of her work as expressive of her sexuality and a limited market for abstraction led O&#8217;Keeffe to turn away from pure abstraction in the 1920s and 1930s. After 1923, she rarely showed her early abstractions. Indeed, between 1935 and 1941, she produced no abstractions at all. Beginning in 1929, O&#8217;Keeffe spent long stretches of time in New Mexico, finally moving there in 1949. It proved to be an inexhaustible source of subjects for her mature works. She approached these as she had her most abstract works, through her feelings, using many of the same stylistic means. As she said, &#8220;I had to create an equivalent for what I felt about what I was looking at-not copy it.&#8221;Likely stung when critic Clement Greenberg trounced her in 1940 for having chosen representation over abstraction, O&#8217;Keeffe returned to it in1942, painting forms she found in the natural world that corresponded to abstract forms in her imagination. With the market more receptive to abstract art, she began to exhibit her abstractions again. By the late 1950s and 1960s she was working almost exclusively in an abstract style, in mural-sized aerial views of clouds and a minimalist, geometric series of patio door paintings. The fields of color of her radical late works set a precedent for a younger generation of abstract artists in the 1960s.</p>
<p>Included in the exhibition are more than 100 paintings, drawings, and watercolors by O&#8217;Keeffe, dating from 1915 to the late 1970s, and 12 photographic portraits of her by her husband, Alfred Stieglitz. </p>
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<div id="column2" style="float: left; display: inline; background-color: #ffffff; width: 230px; padding-top: 0px; padding-right: 0px; padding-bottom: 18px; padding-left: 30px;"><img style="margin-top: 0px; margin-right: auto; margin-bottom: 0px; margin-left: auto; padding-bottom: 10px;" src="http://www.phillipscollection.org/images/content/exhibitions/okeeffe_Jack-in-the-Pulpit-NoIV.jpg" border="0" alt="" /></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px; font-size: 0.75em; color: #685c53; padding: 0px;">Georgia O’Keeffe, <strong><em>Jack-in-the-Pulpit No. IV</em></strong>, 1930. Image courtesy of the Board of Trustees, National Gallery of Art, Washington</p>
<p><a href="http://www.phillipscollection.org/visit/promotions/index.aspx"><img style="margin-top: 0px; margin-right: auto; margin-bottom: 0px; margin-left: auto; padding-bottom: 10px;" src="http://www.phillipscollection.org/images/sponsors/santaFeeButtn210.jpg" border="0" alt="" /></a></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px; font-size: 0.75em; color: #685c53; padding: 0px;"> </p>
<p><img style="margin-top: 0px; margin-right: auto; margin-bottom: 0px; margin-left: auto; padding-bottom: 10px;" src="http://www.phillipscollection.org/images/content/exhibitions/oKeeffe_MusicPink-and-Blue-No-2.jpg" border="0" alt="" /></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px; font-size: 0.75em; color: #685c53; padding: 0px;">Georgia O&#8217;Keeffe, <strong><em>Music, Pink and Blue No. 2</em></strong>, 1918. © Georgia O’Keeffe Museum/Artist Rights Society (ARS), New York Photograph by Sheldan C. Collins</p>
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		<title>SACRED ART MADE REAL FROM SPAIN AT THE NATIONAL GALLERY OF ART</title>
		<link>http://nmcah.org/blog/?p=204</link>
		<comments>http://nmcah.org/blog/?p=204#comments</comments>
		<pubDate>Tue, 09 Feb 2010 16:11:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Exhibitions]]></category>
		<category><![CDATA[Jesus]]></category>
		<category><![CDATA[Saints]]></category>
		<category><![CDATA[The Blessed Virgin Mary]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=204</guid>
		<description><![CDATA[
LANDMARK EXHIBITION TO EXPLORE IMPACT OF LIFELIKE RELIGIOUS SCULPTURES ON PAINTINGS FROM BAROQUE SPAIN, ON VIEW AT THE NATIONAL GALLERY OF ART
FEBRUARY 28-MAY 31, 2010

Attributed to Juan Martinez Montañés
Immaculate Conception (la Purisma), about 1628
polychromed wood
University of Seville
(Updated December 11, 2009) Washington, DC— Arrestingly real sculptures and paintings of the saints, the Immaculate Conception, and the [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: Times; line-height: normal;"></p>
<h1 style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; color: #444444; font-size: 0.75em; text-transform: uppercase; line-height: 1.75em; letter-spacing: 2px; border-top-width: 1px; border-top-style: solid; border-top-color: #444444; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: #444444; padding-top: 4px; padding-bottom: 8px; margin-top: 10px; margin-left: 18px; margin-bottom: 16px;">LANDMARK EXHIBITION TO EXPLORE IMPACT OF LIFELIKE RELIGIOUS SCULPTURES ON PAINTINGS FROM BAROQUE SPAIN, ON VIEW AT THE NATIONAL GALLERY OF ART<br />
FEBRUARY 28-MAY 31, 2010</h1>
<p style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; font-size: 0.75em; text-align: left; color: #333333; line-height: 1.75em; margin-left: 16px;"><img src="http://www.nga.gov/press/exh/2871/assets/2871-025alt1_lrg.jpg" alt="" width="240" height="332" /></p>
<p class="caption" style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; font-size: 0.65em; text-align: left; color: #666666; line-height: 1.62em; margin-left: 16px;">Attributed to Juan Martinez Montañés<br />
<em>Immaculate Conception (la Purisma)</em>, about 1628<br />
polychromed wood<br />
University of Seville</p>
<p style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; font-size: 0.75em; text-align: left; color: #333333; line-height: 1.75em; margin-left: 16px;">(Updated December 11, 2009) Washington, DC— Arrestingly real sculptures and paintings of the saints, the Immaculate Conception, and the Passion of Christ are among some 20 Spanish masterpieces of the 17th century on view in a landmark exhibition at the National Gallery of Art, Washington, from February 28 through May 31, 2010.<em><strong>The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700</strong></em> will showcase major paintings by Diego Velázquez, Francisco de Zurbarán, and Francisco Pacheco, with painted and gilded sculptures carved by Gregorio Fernández, Juan Martínez Montañés, and Pedro de Mena, among others.</p>
<p style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; font-size: 0.75em; text-align: left; color: #333333; line-height: 1.75em; margin-left: 16px;">The exhibition will also reveal the dynamic and intricate relationship between two-dimensional pictures on canvas and painted sculptures that has long been noted by scholars but little known by the general public. Many of the sculptures have never been exhibited away from the Spanish churches, convents, and monasteries where they continue to be venerated and to inspire the faithful.</p>
<p style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; font-size: 0.75em; text-align: left; color: #333333; line-height: 1.75em; margin-left: 16px;">&#8220;We hope that this exhibition will convey the artistic excellence and spiritual profundity of Spanish art to our visitors,&#8221; said Earl A. Powell III. &#8220;We are grateful to the museums and Spanish ecclesiastical institutions that have agreed to lend these exceptional works of art, which together provide an illuminating and powerful experience.&#8221;</p>
<p style="font-family: verdana, 'trebuchet MS', trebuchet, arial, sans-serif; font-size: 0.75em; text-align: left; color: #333333; line-height: 1.75em; margin-left: 16px;"><em><strong>The Sacred Made Real </strong></em>is organized by the National Gallery of Art, Washington, and National Gallery, London, where it will be on view from October 21, 2009, through January 24, 2010.</p>
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		<title>History Remembers Father Damien</title>
		<link>http://nmcah.org/blog/?p=201</link>
		<comments>http://nmcah.org/blog/?p=201#comments</comments>
		<pubDate>Thu, 04 Feb 2010 13:58:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Exhibitions]]></category>
		<category><![CDATA[Religious Art]]></category>
		<category><![CDATA[Saints]]></category>

		<guid isPermaLink="false">http://nmcah.org/blog/?p=201</guid>
		<description><![CDATA[




AMBASSADOR SPEECHES






enlarge photo




 
History Remembers Father Damien
Ambassador Howard W. Gutman 
Tremelo, October 4, 2009   
 
Your Majesties. Excellencies, Ministers, Members of the Clergy, Fellow Belgians, Fellow Americans and Fellow Citizens of the World: 
I am honored and humbled to participate today after a Mass as glorious as the one we just witnessed in the unveiling of this statue to Father [...]]]></description>
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<div id="contentc" style="width: 430px; margin-top: 1px; padding-top: 0px; padding-right: 0px; padding-bottom: 15px; padding-left: 15px; float: left; background-image: url(http://belgium.usembassy.gov/uploads/VR/Fe/VRFeBcIYFlNu9jZDEzYoSw/content_bg_lng.png); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; background-position: 0% 0%;">
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<div id="photo_large" style="width: auto; visibility: hidden; position: absolute; background-image: url(http://belgium.usembassy.gov/uploads/Wu/0M/Wu0MEVksV0i1mEzIBn-uSA/photo_large_bg.png); background-repeat: repeat-x; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; background-position: initial initial; border: 1px solid #999999;"><a style="text-decoration: none; color: #000099; margin-top: 0px; margin-right: 6px; margin-bottom: 6px; margin-left: 0px; display: block; background-image: url(http://belgium.usembassy.gov/uploads/P1/ZW/P1ZWRCzMWYG1UJ7xXbLDfQ/btn_close.png); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; text-indent: -9999px; background-position: 100% 50%; padding: 6px;" onclick="enlargePhoto('photo_large');" href="javascript:;"></a><img style="margin-top: 0px; margin-right: 20px; margin-bottom: 0px; margin-left: 20px;" src="http://belgium.usembassy.gov/uploads/Q8/aG/Q8aGpW5Ii77X0hdkszyW1g/Damian.jpg" border="0" alt="" /></p>
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<div class="enlarge" style="height: 23px; background-image: url(http://belgium.usembassy.gov/uploads/1E/VX/1EVXiz0o_HSU-OcWUybWVg/enlarge_bg8a.png); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font-size: 7pt; font-weight: bold; background-position: initial initial;"><a style="width: 100px; height: 23px; display: block; float: right; background-image: url(http://belgium.usembassy.gov/uploads/SM/hU/SMhUhdc2jiD9u-l8Pwhbpw/enlarge_link_bg.png); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; text-indent: -9000px; text-decoration: none; color: #000099; background-position: 0px 0px;" onclick="enlargePhoto('photo_large');" href="javascript:;">enlarge photo</a></div>
<div class="image" style="border: 1px solid #999999;"><a style="text-decoration: none; color: #000099;" onclick="enlargePhoto('photo_large');" href="javascript:;"><img style="border-color: white;" src="http://belgium.usembassy.gov/uploads/Q8/aG/Q8aGpW5Ii77X0hdkszyW1g/Damian.jpg" border="5" alt="" width="170" /></a></p>
<div class="caption" style="padding-top: 0px; padding-right: 5px; padding-bottom: 5px; padding-left: 5px; text-align: left; color: #666666; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 9px; font-style: italic; font-weight: normal; line-height: normal; text-decoration: none; margin: 0px;"><a style="text-decoration: none; color: #000099;" href="http://belgium.usembassy.gov/ambassador/speeches/damian.html"></a></div>
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<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;"> </p>
<p class="heading_2 Heading2_H2" style="font-style: normal; margin-bottom: 0px; color: #000066; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-weight: bold; line-height: normal; text-decoration: none;">History Remembers Father Damien</p>
<p class="paragraph" style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;"><em>Ambassador Howard W. Gutman <br />
Tremelo, October 4, 2009</em>   <br />
 </p>
<p class="paragraph" style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;">Your Majesties. Excellencies, Ministers, Members of the Clergy, Fellow Belgians, Fellow Americans and Fellow Citizens of the World: <br />
I am honored and humbled to participate today after a Mass as glorious as the one we just witnessed in the unveiling of this statue to Father Damien.  </p>
<p>To represent a country I have long loved . . . in a country I am growing to love. . .  in a city and in a honoring a man that even the angels love  . . . and on behalf of a President in whom I believe to my core.  </p>
<p>I have recently arrived from my 27 year home in Washington, D.C,. We share so much in common.  We in fact share statues of Father Damien.  For I have visited the beautiful bronze statue of Father Damien that sits in Statuary Hall in the Capital Building of the United States of America.</p>
<p>But more important than even bronze and molds, we share the legacy of Father Damien and the values represented by that legend.</p>
<p>You see, Statues are one way that men and women remember history . . . and that history remembers great men and women.   </p>
<p>History remembers all sorts of men and women and we build statues for all sorts.   History remembers and we build statues to the truly brave  &#8211;  explorers, war heros, great leaders and yes priests, who set out without full knowledge of where they are going, but rooted in the belief that the justice of their cause will protect them whenever the path leads.  History remembers the truly righteous – men and women who understand that the rewards can never be measured by what someone has collected, but by what they have given back.  And history remembers and we build statues for the truly wise &#8211;  inventors, scientists, leaders and priests, who see a little further down the road and recognize that building a better tomorrow is the most important contribution to mankind today.</p>
<p>Father Damien of course was all three and far more:  a brave explorer; an ambassador from your then fledgling new country to what would someday be a part of my country; a healer; a righteous man, a hero and a saint.</p>
<p>But Father Damien was first and foremost a teacher . . .  a teacher for us all,. . . and for our children.  </p>
<p>You see, history remembers such men and women and we build statues not simply to honor the past.  Statues are also about the present and even more importantly about the future.  By reminding us from where we have come, they remind us who we are and where we need to be going.  By honoring the past, we pledge to try to replicate such action, such bravery, such righteousness to build a better future.  </p>
<p>The righteousness of Father Damien:</p>
<p>By crossing the water, when a beautiful farm awaited him here in wonderful Tremolo,</p>
<p>By choosing poverty, when relative wealth awaited,</p>
<p>By reaching out endlessly to his fellow man in a different land, </p>
<p>By insisting, despite pressure on burying all who died, regardless of faith, nationality or religion,</p>
<p>By dying to do the right thing, </p>
<p>Damien has taught us all.</p>
<p>He has taught kings and ministers, presidents and ambassadors, mothers and fathers, grandparetns and children,</p>
<p>He his has taught Americans and Belgians, Catholics, Protestants and Jews, </p>
<p>He has taught people living in Hawaii, and New York, in Flanders, Brussels and Wallonia,</p>
<p class="paragraph" style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;">He has taught us that we are all in this together . . . .</p>
<p>That to get it right . . . that to sail rather than to sink,</p>
<p>We have to get it right together.  That we will all find health, safety and prosperity, or none of us can.</p>
<p>That what happens in Washington or Paris or Honolulu, in Africa, Afghanistan or  Pakistan, in Mechelen or in Bree, where I travelled in my first two week, or in Charleroi where I travelled this past Wednesday, or in Molenbeek, where I visited a community center yesterday, </p>
<p>Affects us all whether we live in Tremelo, or in Washington, in Brussels or New York, in Africa, Flanders or in Wallonia, in Tel Aviv, Rabat, or Ankara.</p>
<p>That this time, we have to get it right.  . . and we have to get it right together. </p>
<p class="paragraph" style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;">Father Damien taught us that we all must become and remain better listeners, better learners and better partners.  </p>
<p>And not because it is politically expedient, not because of what we get, but because it is the right thing to do.  </p>
<p>We share the problems  . . . we must work together on the solutions.  </p>
<p>Father Damien taught us that the problems that we face that unite us are far greater than the differences and prejudices that have previously divided us.  That as our world gets  flatter, we must become better neighbors.  That given our mutual respect and mutual interest, no voice of opposition, no extremism, no economic hardship, and no threat to our health, or to the climate of our soul or of our planet can be allowed to separate us.  That there are no zero sum games – we all rise together – or none of us can truly prosper. That the world we will leave to our children must be safer and more harmonious than the one we were left by our parents.  And that we can never even appear to compromise the principles that we believe in for short term gains.</p>
<p class="paragraph" style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;">So what would be Father Damien’s leprosy colony today if he were alive.  For what mission would he leave that idyllic farm in Tremolo?</p>
<p>Would he be championing the cause of AIDS? Of drug addiction? Of poverty in third world countries? Or even in cities where half of our youth cannot find a job?</p>
<p>A champion for our safety and security whether challenged by health or by extremism? </p>
<p>Father Damien would be a champion for them all…for a better planet tomorrow than the one we found yesterday.</p>
<p>He is and will remain an inspiration. To Belgians and Americans.  To us all.</p>
<p>And particularly a special inspiration to those who grew up in Tremelo and in Hawaii,</p>
<p>And so, when I called my White House to see if, because he grew up in Hawaii, our President knew about and had thoughts about Father Damien, I learned that in fact, even from his days as a little boy, President Obama had learned of the feats of Father Damien and that he was long admired and been inspired by him.</p>
<p>So from Hawaii to Washington, from the White House and our Embassy, we thank the citizens of Tremelo and of Belgium for your son Damien in 1840, and for your friendship and your partnership for the 170 years since.</p>
<p>     Thanks so much.<br />
 </p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; font-style: normal; font-weight: normal; line-height: 125%; margin-bottom: 0px; text-decoration: none;"> </p>
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