Archive for the ‘Religious Art’ Category

History Remembers Father Damien

Thursday, February 4th, 2010

AMBASSADOR SPEECHES

 

History Remembers Father Damien

Ambassador Howard W. Gutman 
Tremelo, October 4, 2009
   
 

Your Majesties. Excellencies, Ministers, Members of the Clergy, Fellow Belgians, Fellow Americans and Fellow Citizens of the World: 
I am honored and humbled to participate today after a Mass as glorious as the one we just witnessed in the unveiling of this statue to Father Damien.  

To represent a country I have long loved . . . in a country I am growing to love. . .  in a city and in a honoring a man that even the angels love  . . . and on behalf of a President in whom I believe to my core.  

I have recently arrived from my 27 year home in Washington, D.C,. We share so much in common.  We in fact share statues of Father Damien.  For I have visited the beautiful bronze statue of Father Damien that sits in Statuary Hall in the Capital Building of the United States of America.

But more important than even bronze and molds, we share the legacy of Father Damien and the values represented by that legend.

You see, Statues are one way that men and women remember history . . . and that history remembers great men and women.   

History remembers all sorts of men and women and we build statues for all sorts.   History remembers and we build statues to the truly brave  –  explorers, war heros, great leaders and yes priests, who set out without full knowledge of where they are going, but rooted in the belief that the justice of their cause will protect them whenever the path leads.  History remembers the truly righteous – men and women who understand that the rewards can never be measured by what someone has collected, but by what they have given back.  And history remembers and we build statues for the truly wise –  inventors, scientists, leaders and priests, who see a little further down the road and recognize that building a better tomorrow is the most important contribution to mankind today.

Father Damien of course was all three and far more:  a brave explorer; an ambassador from your then fledgling new country to what would someday be a part of my country; a healer; a righteous man, a hero and a saint.

But Father Damien was first and foremost a teacher . . .  a teacher for us all,. . . and for our children.  

You see, history remembers such men and women and we build statues not simply to honor the past.  Statues are also about the present and even more importantly about the future.  By reminding us from where we have come, they remind us who we are and where we need to be going.  By honoring the past, we pledge to try to replicate such action, such bravery, such righteousness to build a better future.  

The righteousness of Father Damien:

By crossing the water, when a beautiful farm awaited him here in wonderful Tremolo,

By choosing poverty, when relative wealth awaited,

By reaching out endlessly to his fellow man in a different land, 

By insisting, despite pressure on burying all who died, regardless of faith, nationality or religion,

By dying to do the right thing, 

Damien has taught us all.

He has taught kings and ministers, presidents and ambassadors, mothers and fathers, grandparetns and children,

He his has taught Americans and Belgians, Catholics, Protestants and Jews, 

He has taught people living in Hawaii, and New York, in Flanders, Brussels and Wallonia,

He has taught us that we are all in this together . . . .

That to get it right . . . that to sail rather than to sink,

We have to get it right together.  That we will all find health, safety and prosperity, or none of us can.

That what happens in Washington or Paris or Honolulu, in Africa, Afghanistan or  Pakistan, in Mechelen or in Bree, where I travelled in my first two week, or in Charleroi where I travelled this past Wednesday, or in Molenbeek, where I visited a community center yesterday, 

Affects us all whether we live in Tremelo, or in Washington, in Brussels or New York, in Africa, Flanders or in Wallonia, in Tel Aviv, Rabat, or Ankara.

That this time, we have to get it right.  . . and we have to get it right together. 

Father Damien taught us that we all must become and remain better listeners, better learners and better partners.  

And not because it is politically expedient, not because of what we get, but because it is the right thing to do.  

We share the problems  . . . we must work together on the solutions.  

Father Damien taught us that the problems that we face that unite us are far greater than the differences and prejudices that have previously divided us.  That as our world gets  flatter, we must become better neighbors.  That given our mutual respect and mutual interest, no voice of opposition, no extremism, no economic hardship, and no threat to our health, or to the climate of our soul or of our planet can be allowed to separate us.  That there are no zero sum games – we all rise together – or none of us can truly prosper. That the world we will leave to our children must be safer and more harmonious than the one we were left by our parents.  And that we can never even appear to compromise the principles that we believe in for short term gains.

So what would be Father Damien’s leprosy colony today if he were alive.  For what mission would he leave that idyllic farm in Tremolo?

Would he be championing the cause of AIDS? Of drug addiction? Of poverty in third world countries? Or even in cities where half of our youth cannot find a job?

A champion for our safety and security whether challenged by health or by extremism? 

Father Damien would be a champion for them all…for a better planet tomorrow than the one we found yesterday.

He is and will remain an inspiration. To Belgians and Americans.  To us all.

And particularly a special inspiration to those who grew up in Tremelo and in Hawaii,

And so, when I called my White House to see if, because he grew up in Hawaii, our President knew about and had thoughts about Father Damien, I learned that in fact, even from his days as a little boy, President Obama had learned of the feats of Father Damien and that he was long admired and been inspired by him.

So from Hawaii to Washington, from the White House and our Embassy, we thank the citizens of Tremelo and of Belgium for your son Damien in 1840, and for your friendship and your partnership for the 170 years since.

     Thanks so much.
 

 

 

Women and Spirit Exhibit at the Smithsonian

Wednesday, February 3rd, 2010

 

January 12, 2010

“Women & Spirit: Catholic Sisters in America” Opens Jan. 15 in Smithsonian’s International Gallery

Exhibition reveals the role of Catholic sisters in shaping American history.

In 1727, 12 Catholic sisters arrived in New Orleans eager to begin their work in the New World. Throughout the nearly 300 years that have followed, Catholic sisters have established hospitals, schools, universities, homeless shelters and orphanages, while providing countless other social services to millions of people in the United States.

“Women & Spirit: Catholic Sisters in America” will be on view in the International Gallery of the S. Dillon Ripley Center from Jan. 15, 2010, through April 25, 2010.

Through rare artifacts, compelling photographs and videos, and vivid first-person narratives, the exhibition explores the contributions Catholic sisters made—and continue to make—in shaping the nation’s social and cultural landscape.

Artifacts and stories featured in the exhibition include:

  •  A letter from President Thomas Jefferson to Marie Thérèse Farjon of St. Xavier, written in 1804, assuring her that her community would still be able to govern itself following the Louisiana Purchase 

  •  A nurse’s bag used by Sister Anthony O’Connell, Sisters of Charity, who pressured Army doctors to allow sisters to tend to soldiers on the front lines during the Civil War. Her lobbying succeeded, earning her the title “Angel of the Battlefield”
  •  A gavel and sound block belonging to Carolyn Farrell a Sister of Charity of the Blessed Virgin Mary, who became the mayor of Dubuque, Iowa, in 1980—the first woman religious to be elected mayor of an American city
  •  The story of Mother Alfred Moes who, after witnessing the destruction of Rochester, Minn., from a violent tornado in 1883, proposed to William Mayo and his sons that she would build and staff a hospital if they would agree to provide the medical care. This collaboration was a significant milestone in the development of what is now known as Mayo Clinic

“Women & Spirit: Catholic Sisters in America” is a project of The Leadership Conference of Women Religious, in association with the Cincinnati Museum Center. The exhibition’s Web site is www.womenandspirit.org.

Boticelli Exhibit in Frankfurt

Tuesday, January 26th, 2010

With a selection of portraits, mythological allegories and depictions of the Virgin – altogether some eighty works by Botticelli, his workshop and his contemporaries – the Städel Museum is presenting the first exhibition ever to be devoted to the oeuvre of this great Italian Renaissance master in German-speaking lands.

Sandro Botticelli’s painting has become a landmark of Italian Renaissance, and his monumental Idealized Portrait of a Lady (c. 1480) numbers among the Städel Museum’s main works. The ideal beauty of his mythological figures and the elegant grace of his Virgin figures make his creations the epitome of Florentine painting in the Golden Age under Lorenzo the Magnificent’s rule. It is less his masterful translation of Renaissance ideals which is the reason for the much-praised magic of his pictorial solutions, but rather the exceptional expressiveness of his figurative creations presenting their classically refined beauty in a solemn manner and with an often melancholy note. Initially trained as a goldsmith and then apprenticed to Fra Filippo Lippi, Sandro Botticelli, next to Verrocchio, Ghirlandaio, and the Pollaiuolo brothers, ranks among the most successful painters in Florence in the second half of the quattrocento. From 1470 on, he received prestigious public commissions and made a name for himself as a painter of large altarpieces. Throughout his life, Botticelli was in the ruling Medici family’s and their supporters’ good graces. Fulfilling their wishes for innovative decorative paintings, the master could not only rely on his knowledge of Florentine traditions and of ancient art, but also on definite suggestions and concepts from the circle of humanists gathered around Lorenzo de’ Medici. Held in equally high esteem as both a panel and a fresco painter, Botticelli enjoyed a high standing beyond his native Florence and was thus one of the artists summoned to decorate the walls of the Sistine Chapel in Rome by Pope Sixtus IV in 1481. It was particularly his much-discussed late work that brought out the characteristic features of his original style in an extreme manner. Guided by the art of drawing, Botticelli followed his penchant for rendering his figures with sharp contours, strong movements, and abundant gestures, grounding his compositions rather on textures of lines and surfaces than on spaces and volumes. In this respect, his painting had stood out against his competitors’ work and current theoretical demands since his early years. This is one of the reasons why art-historical research, which has devoted a vast number of major monographs and innumer-able work studies to Botticelli, still assigns a special position to the artist without fail even 500 years after his death on 17 May 1510.
All in all, it will be possible to show more than 80 works by Botticelli, his workshop, and some of his contemporaries like Filippino Lippi or Andrea del Verrocchio. The most important collections in Europe and the USA support the show with central works by the Florentine Renaissance artist. The exhibition focuses on precious creations from all phases of Botticelli’s oeuvre, confronts them with thematically related works by his colleagues, and examines them in the historical context of their making. Organized in three parts, it explores the painter’s various tasks and thematic fields. The portraits and allegorical paintings of the first section illustrate the degree of sophistication with which Botticelli drew on this highly developed genre and enriched it through new impulses. While the second chapter centers on his famous mythological representations of goddesses and heroines of virtue, the third part is dedicated to his abundant religious oeuvre.
Curator: Dr. Andreas Schumacher (Städel Museum)


Michelangelo’s Madonna Della Pieta

Friday, January 22nd, 2010

Growing up Michelangelo was my favorite artist of the Italian Renaissance period. His beautiful sculptures and fresco paintings in the Sistine Chapel are breathtaking. The most beloved piece of art and greatest sculptures ever is the Pieta in St Peter’s Basilica who brings millions every year. We are fortunate to have in our museums collection Michelangelo’s Madonna Della Pieta.

“My eyes longing for beautiful things together with my soul longing for salvation have no other power to ascend to heaven than the contemplation of beautiful things”

Michelangelo Buonarroti


Written by Christina Cox

Our Lady of Fatima

Tuesday, January 19th, 2010

Pope John Paul 2 praying to Our Lady of FatimaOur Lady of Fatima Shrine Vandalized

1/13/2010

Zenit News Agency (www.zenit.org)

The graffiti includes the words Islam, moon, sun, Muslim and mosque.In the John Paul II Plaza, statutes of Popes John Paul II and Paul VI were painted.
An outside Prayer Service at Fatima
An outside Prayer Service at Fatima
FATIMA, Portugal (Zenit.org) – The church of the Holy Trinity and four statues at the shrine of Our Lady of Fatima were vandalized early Sunday morning.

In a press release Monday, officials from the shrine announced that in the early hours of Sunday morning, four statutes on the sides of the church as well as the church itself were painted with graffiti.

In the John Paul II Plaza, statutes of Popes John Paul II and Paul VI were painted. In the Pius XII Plaza, statues of Pope Pius XII and Bishop José Alves Correia da Silva were painted.

The graffiti includes the words “Islam,” “moon,” “sun,” “Muslim” and “mosque.”

According to the statement from shrine officials, “the difficult work of cleaning” is under way.

The communiqué added: “In reporting what has happened and without knowing who has done this, the shrine [officials] confirm [our] sadness and assure that the issue has been reported to the police.”

Pope Benedict XVI encourages artists to create beauty.

Monday, November 23rd, 2009

Pope Gathers Artists: ‘The World Needs Beauty’
11/23/2009

Zenit News Agency (www.zenit.org)

The Holy Father encouraged the artists, ‘You are the custodians of beauty.Through your art, you yourselves are to be heralds and witnesses of hope’
The Pope told the gathered artists: 'Faith takes nothing away from your genius or your art... On the contrary, it exalts them and nourishes them'
The Pope told the gathered artists: ‘Faith takes nothing away from your genius or your art… On the contrary, it exalts them and nourishes them’
VATICAN CITY (Zenit.org) – The world needs authentic beauty, Benedict XVI is affirming, and artists have the responsibility of bringing it to people through their art.

The Pope affirmed this Saturday during an audience held in the Sistine Chapel with some 250 artists of various countries, cultures and religions. The group included singers, musicians, writers, painters, architects, sculptors, actors and film producers.

The event was sponsored by the Pontifical Council for Culture to commemorate the 10th anniversary of Pope John Paul II’s Letter to Artists, and the 45th anniversary of Pope Paul VI’s similar meeting with artists in the Sistine Chapel.

Benedict XVI affirmed “the Church’s friendship with the world of art, a friendship that has been strengthened over time.”

“Christianity from its earliest days has recognized the value of the arts and has made wise use of their varied language to express her unvarying message of salvation,” he added.

The reason for this meeting, the Pope said, is to help this friendship “be continually promoted and supported so that it may be authentic and fruitful, adapted to different historical periods and attentive to social and cultural variations.”

“Dear friends,” he said, “as artists you know well that the experience of beauty, beauty that is authentic, not merely transient or artificial, is by no means a supplementary or secondary factor in our search for meaning and happiness.”

The Pontiff continued, “The experience of beauty does not remove us from reality, on the contrary, it leads to a direct encounter with the daily reality of our lives, liberating it from darkness, transfiguring it, making it radiant and beautiful.”

Shock value

He explained that “an essential function of genuine beauty” is “that it gives man a healthy ’shock,’ it draws him out of himself, wrenches him away from resignation and from being content with the humdrum.”

In this, the Holy Father observed, it may even make him suffer, “piercing him like a dart, but in so doing it ‘reawakens’ him, opening afresh the eyes of his heart and mind, giving him wings, carrying him aloft.”

“Beauty pulls us up short, but in so doing it reminds us of our final destiny, it sets us back on our path, fills us with new hope, gives us the courage to live to the full the unique gift of life,” he affirmed.

Benedict XVI added, “The quest for beauty that I am describing here is clearly not about escaping into the irrational or into mere aestheticism.”

He affirmed: “Too often, though, the beauty that is thrust upon us is illusory and deceitful, superficial and blinding, leaving the onlooker dazed; instead of bringing him out of himself and opening him up to horizons of true freedom as it draws him aloft, it imprisons him within himself and further enslaves him, depriving him of hope and joy.

“It is a seductive but hypocritical beauty that rekindles desire, the will to power, to possess, and to dominate others, it is a beauty which soon turns into its opposite, taking on the guise of indecency, transgression or gratuitous provocation.”

On the contrary, the Pope said, authentic beauty “unlocks the yearning of the human heart, the profound desire to know, to love, to go towards the Other, to reach for the Beyond.”

“If we acknowledge that beauty touches us intimately,” he said, “that it wounds us, that it opens our eyes, then we rediscover the joy of seeing, of being able to grasp the profound meaning of our existence, the Mystery of which we are part; from this Mystery we can draw fullness, happiness, the passion to engage with it every day.”

Transcendence

The Pontiff continued, “Beauty, whether that of the natural universe or that expressed in art, precisely because it opens up and broadens the horizons of human awareness, pointing us beyond ourselves, bringing us face to face with the abyss of Infinity, can become a path towards the transcendent, towards the ultimate Mystery, towards God.”

Thus, art in all its forms “can take on a religious quality, thereby turning into a path of profound inner reflection and spirituality,” he said.

The Holy Father encouraged the artists, “You are the custodians of beauty.”

He continued: “Thanks to your talent, you have the opportunity to speak to the heart of humanity, to touch individual and collective sensibilities, to call forth dreams and hopes, to broaden the horizons of knowledge and of human engagement.

“Be grateful, then, for the gifts you have received and be fully conscious of your great responsibility to communicate beauty, to communicate in and through beauty!

“Through your art, you yourselves are to be heralds and witnesses of hope for humanity!”

Benedict XVI urged his listeners to “not be afraid to approach the first and last source of beauty, to enter into dialogue with believers, with those who, like yourselves, consider that they are pilgrims in this world and in history towards infinite Beauty!”

“Faith takes nothing away from your genius or your art,” he said. “On the contrary, it exalts them and nourishes them, it encourages them to cross the threshold and to contemplate with fascination and emotion the ultimate and definitive goal, the sun that does not set, the sun that illumines this present moment and makes it beautiful.”

DAY OF THE DEAD A MEXICAN TRADITION

Thursday, October 29th, 2009

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Every October families in Mexico build altars outside to honor their loved ones who died in the last year as well as their ancestors who died long ago. They make a trip to the graveyards to decorate the graves of their loved ones with flowers, photographs of saints, candles, crosses, beads, fruits, sugary sweets made into skeletons and skulls. The Spanish who invaded Mexico in the 1500s were Christian.They believed in one God and the teaching of Jesus Christ. The Spanish then tried to convert the Native Mexicans. Two of the celebrations are All Saints day and All Soul’s day. These dates are November 1st and November 2nd. Todays Catholics remember their deceased love ones with dedicated Masses and also go to their graves to decorated with seasonal flowers, candles, american flags and write messages to love ones. This year my family placed small pumpkins with the names of new grand children’s in the family on my fathers grave.

NMCAH BLOG

Wednesday, October 28th, 2009

Welcome to the NMCAH blog. Please tune in to read exciting news about religious art, museums exhibitions, new artists and Catholic faith.